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Live At Jim's


After releasing his second full length album,

“Snapshots of the Universe” in May of 2007,

musician Michael Jantz has already

followed up with a hard hitting six song EP,

“Live at Jim’s”.

Jantz, a Cleveland favorite who moved to the

DC area in 2004, has garnered coverage from

XM Radio and internet radio stations for

“Snapshots”, as well as licensing agreements

with MTV for “The Hills” and “Road Rules”.

Snapshots" has also been nominated for

a 2007 WAMMIE for Rock Recording.

“Live at Jims” is sure to add to the positive buzz

from critics and fans alike.

The drive for “Live at Jim’s” was born out of

rehearsals between Jantz and his band members

in preparation of going on tour to support “Snapshots”.

“I had all these new guys together, with all

these distinct skills and unique talents at my

disposal, and the creative juices just started

flowing,” Jantz said. “These songs were written to

play to strengths of these specific musicians.”

The Davenports are comprised of popular DC

local musicians, Jim Donohue on upright/electric

bass and former Bicycle Thieves drummer

Dan Perriello, rounded out by the impressive

talents of local harmonica player Chris

Nammour in his debut recording.

The material also reflects a shift in influences

on Jantz’s song writing, blending indie rock

sensibilities drawn from modern acts like Black Rebel

Motorcycle Club, Ryan Adams and M. Ward, with

more classic rhythm and blues based rock and

country rock. The sound on the new EP has been

compared to work by The Band, The Black Crowes,

CSNY, and as one fan put it, “Bob Dylan after he plugged in.”

“Live at Jim’s” marks the first production

foray for Jantz. Bassist Jim Donohue also pulled

double duty as engineer for the EP, which was, as

its title suggests, recorded in his basement studio.

“I really wanted to capture the vibe and energy

of the live performance,” Jantz said. “We went

in and recorded these songs as soon as we

\could play them through. Although we went

back and refined and crafted each track, what you’re

hearing are those fresh first takes.“

The band plans on making “Live at Jim’s” a free

digital download, with CD’s and MP3’s available

through online outlets including CD Baby and iTunes.



Snapshots Of The Universe....

UP FROM THE STREET CORNERS — TWICE

Singer/songwriter Michael Jantz earned his skills the hard way, working the open mics in his hometown of Cleveland and wandering through Europe playing on street corners. He built his reputation up song by song until it paid off: Jantz became a top local name, toured with Paul Simon and Brian Wilson, and released a successful self-titled album In 2004 he was voted “Best Male Singer/Songwriter” in the Cleveland Free Times Reader Poll. The next week, he left town to follow a girlfriend to Washington DC.

"It's kind of like starting from square one," Jantz says. "You have to prove yourself all over again; build relationships with bar owners, critics, the people who come see you perform. I went from being a top draw in my hometown to being a complete unknown.” He started playing open mics again and even busking for change in subway stations.

But the experience shows. Jantz has taken the high-energy atmosphere of his new hometown, and the shock of being dropped into a bustling, unfamiliar city, and channeled them into his songwriting. His songs have won him a large DC following in a short time: Jantz appeared in Entertainment DC' magazine’s ‘Best of Local Music’ in 2005, placed high in On Tap magazine's ‘2006 Texas Roadtrip Competition’, and was named ‘Artist to Watch in 2006’ by radio station Z104.

In addition to performing at an array of local and regional gigs, Jantz has a Sunday night residency playing at the Wonderland Ballroom. Having befriended a wide swath of local musicians, each week he invites different acts to perform as well.

Jantz also maintains strong ties to his Ohio roots, making frequent trips to Cleveland. He recorded his 2006 follow-up album, Snapshots of the Universe, with two of his childhood best friends.

"We've been friends since we were kids," Jantz said of engineer Tom Schick (Ryan Adams, Rufus Wainwright, Sean Lennon, Yoko Ono) and producer Jerry Becker, who has produced for The Bittersweets and Rob Hotchkiss of Train among others.

Recording in San Francisco at both the famous Hyde Street Studios as well as The Sunset, a local studio and community center, Jantz also had help from several big name musicians. Snapshots features drummer Steve Bowman (the Bittersweets, Counting Crows, Third Eye Blind), Bittersweets singer Hannah Prater, and guitar work from Scott Barkan of Barky and Hypnotic Clambake. Fred Kevorkian (the White Stripes, Ryan Adams, Dave Matthews Band, Iggy Pop) mastered the album.

Snapshots reveals an older, wiser, and more polished musician than on his self-titled 2002 release. Snapshots ranges from rollicking acoustic-based rock to mellow storyteller blues. “For the past year, I put every single moment of joy, grief, anger, and love into this album,” says Jantz. You can hear it.




The Lakewood Observer

By Martha Wood

I guess I'll always be grateful for my experience as a street performer,” says singer/songwriter Michael Jantz.“It wasn't an aspiration, but that's how I learned how to communicate as a musician. I've been completely reborn and liberated from everything I thought I knew about making music by playing on the street.”

Jantz earned his skills the hard way, working open mics in Cleveland and wandering through Europe playing on street corners. “I went to Europe completely frustrated with being in bands with people who didn't have a good work ethic or didn't share the same vision,” he says of his artistic development. “It was only then that I figured out how I could say what I wanted through music - by myself. From there, I pretty much played wherever I could - the subways of New York, the streets of Toronto, cafes and streets in Portugal, Spain, Italy, France - anywhere anyone would listen.”

His tenacity and contentment with making music for music’s sake paid off. In the space of just over a year, Jantz went from busking for pocket change on the sidewalks of Europe to warming up audiences on the Paul Simon/Brian Wilson 2001 summer tour in giant amphitheaters on the east coast. He was voted “Best Male Singer/Songwriter” in the 2004 Cleveland Free Times Reader’s Poll. Almost immediately afterward, Michael left our city for Washington, D.C. to follow his girlfriend.

Working his way up from playing in subways and city parks for pocket change was hard enough the first time around but doing it a second time taught him more than he can describe. “It’s kind of like starting from square one,” Jantz says. “You have to prove yourself all over again; build relationships with bar owners, critics, the people who come see you perform. I went from being a top draw in my hometown to being a complete unknown.”

Michael Jantz returns to his hometown on Sunday, October 28 to perform for Lakewood Public Library’s “Sunday with the Friends” series. He will talk about his songwriting, his musical career and he will perform songs from his latest CD, Snapshots of the Universe. The program begins at 2 p.m. and is free and open to the public.

Snapshots of the Universe reveals an older, wiser, and more polished musician than on his self-titled 2002 debut. The music ranges from rollicking acoustic-based rock to mellow storyteller blues. “For the past year, I put every single moment of joy, grief, anger, and love into this album,” says Jantz. Since there is no single style of music, the album shifts directions throughout the 11 tracks, which includes Michael’s version of the old Leadbelly classic, Goodnight Irene. These are the songs that have won him a large DC following in a short time. Michael earned the title of “Artist to Watch In 2006” from radio station Z104 in Washington, D.C. He has also appeared in “Entertainment DC” magazine's ‘Best of Local Music’ in 2005.

District Creatives

By Kevin Koski

As we ease into the second or third day of fall, we can all feel that crisp autumnal 89 degree breeze start to rip through our tank-tops and shorts… What the heck is going on?! Well, the best thing to do when we’re blessed here in thie Mid-Atlantic with a wonderful “Indian Summer” is to get outside and enjoy it. And what better way to enjoy the weather, than to hit up the Arlington’s ‘Clarendon Day’ festival this coming Saturday, noon to 7pm. Events throughout the day include restaurant vendors, artists vendors, and a main performance stage that includes a set from one of DC’s best singer/songwriters, Michael Jantz, and his talented band, the Davenports. Originally from Ohio, Michael has cut his teeth here in the DC area over the past few years, playing such venues as Rock & Roll Hotel, and Wonderland, released an album last year, and is planning a live EP release in the coming months. So do yourself a favor, and get outside this weekend. You never know when this weather is going to change. And get to Clarendon, see MJ & the Davenports, and check out some of Arlingtons’ creatives. -kk

Melodic.Net

By Kaj Roth

Washington based singer/songwriter Michael Jantz second album "Snapshots of the universe" will please fans of Neil Young, Paul McCartney and even Eric Clapton because his voice reminds a lot of Neil Young mixed with Paul McCartney.
The music is bluesy singer/songwriter rock with folk rock vibes, "Mama?s coming home" is a bit different compared to the rest with it?s rootsy country rock.
The folk rock-ish "Sierra" goes in the vein of Van Morrison while "You" could?ve been a lost John Lennon tune.
I like the catchy opening track "Love is but an ocean" with a great pop chorus, this is nothing but a good album for all fans of this genre.

On Tap Magazine


Michael Jantz
Snapshots of the Universe
With the attitude of Jason Mraz, wit of John Mayer and the penchant for crafting infectious pop songs, Michael Jantz leads the pack of singer-songwriters in the District. His choice of album title, “Snapshots of the Universe,” is very telling: Jantz explores various styles of songwriting from the breezy pop of “Love is but an Ocean” to the bouncy blues of “Mama’s Comin’ Home,” leaving few musical territories neglected.

Stirring, jazzy rock that will sweep you away. "Jantz's engaging voice is the initial draw, great arrangements, solid, lush songwriting..." M.B. Cincinatti City Beat


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